| Feature Films |
Format |
Director/Producer |
| The Bang Bang Brokers |
7D |
David Donihue/Saddle Ranch Productions |
|
Bunyan |
HVX-200 w/ Letus Adapter |
Gary Jones/Kinetic Filmworks |
| Great American Dream (2nd Unit) |
VariCam |
Roger Lim/AmerAsian Films |
| Golden Earrings |
HVX-200 |
Marion Kerr/Film Crewe Productions |
| Young Again (2nd Unit) |
VariCam |
Roger Lim/AmerAsian Films |
| Brain Dead |
HVX-200 |
Kevin Tenney/Prodigy Films |
| Father vs. Son (2nd Unit) |
HVX-200 |
Joe Ballarini/Circus Road Films |
| Dance of the Dead (L.A. Unit) |
HVX-200 |
Gregg Bishop/Bleiberg Entertainment |
| |
|
|
| Television |
Format |
Director/Producer |
| Invention U.S.A. (Camera Operator) |
EX3 |
Gunnar Wetterberg/History Channel |
| Doc Talk |
HVX-200 |
The Documentary Channel |
| I Love the 8-Bits (Spec) |
HVX-200 |
Mel Cowan |
| French Kitchen (Spec) |
HVX-200 |
Paul Harth/Chiron Films |
| Streetease Fitness |
HVX-200 |
Lauren Bratman/Jayvee Dance Productions |
| |
|
|
| Short Films |
Format |
Director/Producer |
| Hot Neighbors |
7D |
Ben Tolpin/Jennette MacLachlan |
| Broken Things |
7D |
Hollis McLachlan |
| My Mobster |
7D |
David Donihue/Joy Nash |
| For the Love of Nothing |
5D/7D |
Alissa Davis |
| The Date |
7D |
Michelle Vandenbroeck |
| Juno’s Body |
EX1 |
Emery Emery/PopcornMafia.com |
| The Script (Spec Trailer) |
HVX-200 w/ Redrock Adapter |
Raj Pathak/Film Star Pictures |
| Freaky Saturday Night Fever |
35mm Anamorphic |
Etienne Goldet/Chiron Films |
| Catholic Curves |
HVX-200 |
Alice Manning/Strike TV.com |
| Does Your Mama Know? |
HVX-200 |
Chris Dupré/TrueVision Entertainment |
| Gilda |
HVX-200 |
Tony Cammarata/USC |
| Marital Bliss |
HVX-200 |
Tony Cammarata/USC |
| Ultimatum |
HVX-200 |
Michelle Vandenbroeck/Michael Risner |
| Behind the Machine: The Untold Story of Firejaw |
HVX-200 |
J. Wilder Konschak |
| Bicycle |
HVX-200 |
Alissa Davis |
| Konflooent |
HVX-200 |
Raj Pathak/Magic Box Entertainment |
| Dark Night: Tales of the Necronomicon |
XL1 |
Robert Keith |
| La Tienda Del Corazon |
XL1 w/ Technik Adapter |
Kight Haberer/Univ. of North Texas |
| ‘Til Daddy Do Us Part |
XL1 |
Jonathan Culp/Culpus Films |
| Spring |
16mm |
Kight Haberer/Univ. of North Texas |
| |
|
|
| Music Videos |
Format |
Director/Producer |
| Rici Jo – On My Own |
7D |
Chris Dupré/TrueVision Entertainment |
| Project Dirty – Roller Coaster |
7D |
Brian Hammers/Chris Dupré |
| Smallz – I Love a Dictator |
7D |
Trevor Hoff |
| Fight From Above – Robber Barons |
1D/5D |
Raj Pathak |
| Leather Hands – Vertical Lines |
HVX-200 |
Miles Flanagan |
| Aaron Nigel Smith – Everyone Loves to Dance |
HVX-200 |
Fundamentals Media |
| Lunar Fiction – London Sun |
HVX-200 |
Paul Harth/Chiron Films |
| |
|
|
| Commercials/Industrials |
Format |
Director/Producer |
| Kingdoms of Amalur: Reckoning |
7D |
Paul Salamoff/G-Net Media |
| Nelson J. Salon |
7D |
Ke Quan |
| ATMCash.com |
7D |
Jake Bradbury/Will Blank |
| The Medallion/Citizen L.A. |
7D |
Trevor Hoff/Time Warner Cable |
| X-Box Kinect (Camera Operator) |
7D |
Scott Culver/G-Net Media |
| Nearly Me: Transform Fitting |
HVX-200 |
Alissa Davis/Nearly Me Technologies, Inc. |
| Monster Energy Drink (Spec) |
HVX-200 w/ Redrock Adapter |
Chris Dupré/TrueVision Entertainment |
| Scion / Toyota Motor Company (Spec) |
HVX-200 w/ Redrock Adapter |
Chris Dupré/TrueVision Entertainment |
| KY Jelly (Spec) |
HVX-200 w/ Redrock Adapter |
Chris Dupré/TrueVision Entertainment |
| Heinz Ketchup: That’s What Fries Are For (Spec) |
HVX-200 w/ Letus Adapter |
Alissa Davis |
| R&B Industries: Porta-Fire |
XL1 |
Alissa Davis/Looking Up Productions |
| Capital Marketing Technologies, Inc.: Digital Catalog |
XL1 |
Self |
| |
|
|
| EPK/Behind-The-Scenes |
Format |
Director/Producer |
| American Primitive |
HVX-200 |
David Roberson/Cape Cod Films |
|
Father vs. Son |
HVX-200 |
Brian Crewe/Film Crewe Productions |
|
Dance of the Dead |
HVX-200 |
Brian Crewe/Ghost House Pictures |
|
The Neighbor |
HVX-200 |
David Roberson/Roberson Public Relations |
| |
|
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